April 2005 was the approximate date for the initial inception of the unit now known as 'INSIDIOUS.' Originally assembled by founding members 'Aud10c0rpse,' 'Gr1nd Zer0 N' and 'TK 672.' Performing initially as a 3-piece for many months, they auditioned numerous civilians to complete the personnel vacancies. They eventually hired 'W-M-D' to operate the low-frequency duties that needed fulfilling. Once W-M-D had joined the ranks, the writing and recording of the forthcoming release of "Digital Disdain" was well under way and continued for most of the Earth year of 2006. Whilst the writing and recording of "Digital Disdain" was making significant progress, there were personnel positions that still needed filling. Eventually an EMP generator known only as 'V.I.R.A.L.' was hired to add soundscapes and general digital noise to the primary auditory assault, that had been manifesting for most of 2005/6. Also, an additional buzzsaw generator, known as 'Corporation,' was added to the ranks to fulfil live performance and future writing and recording duties. By September of 2006 the unit known as "INSIDIOUS," finally had the optimum amount of personnel. However, an anomaly arose when, in April 2007, 'W-M-D' could no longer function for the unit. Disconnecting from INSIDIOUS on amicable terms, the rest of the members wishED him all the best in his future endeavours. In July of 2007, after scanning relentlessly for three Earth months, the unit acquired another member: this intel is now declassified and can be disclosed. The new member generating subsonic frequencies goes by the title of 'Gr.1m.' He has now joined the 'primary unit' and all welcome him on board. However in the same month, there was a withdrawal of yet another member: the EMP-Generator known as 'V.I.R.A.L.' has decided to fulfil these duties on a part-time basis and does not wish to be part of the 'primary unit.' We wish him all the best in his endeavours. The final auditory conglomerate has morphed into a hybrid musical style utilizing various instrumental techniques and cyber technologies, to create an aggressive, dark and unrelenting high-tempo assault on civilian aural sensory capabilities.
(Source: Official site)
|
U.K.
2005
